During the COVID-19 winter, ice cream became a signifier for the sensual and social pleasures we miss. The audiovisual installation wants to help to stimulate our sensual memories of ice cream.
Context
An obvious attraction seems to emanate from the hibernating ice cream shop, once the lights are turned on. Passers-by, children and adults try to catch a glimpse through the window to see if there is still, or already ice cream inside the counter.
Concept
The light composition in the ice cream counter serves as a reminder of the vivid colors of various ice cream flavors on display. The pulse of the light refers to the pleasurable sound of eating ice cream.
LED, transparent foil, Arduino, software
200 × 90 × 40 cm
In Collaboration with: Sophie Hundbiss
Exhibited at:
Windows Explorer with Sophie Hundbiss
Kunstbüro Hohmann und Heid
Berlin
22.01.–15.02.2021
Special thanks to: Kunstbüro Hohmann und Heid, Clara Jing Hohmann & Marla Heid
Support: Adrian Pfisterer, Niklas Thran, Sascha Windisch
Press: »Berliner Kunst in Coronazeiten: Für Eis zu kalt, nicht für Kunst«, taz, 22.01.2021
200 × 90 × 40 cm
In Collaboration with: Sophie Hundbiss
Exhibited at:
Windows Explorer with Sophie Hundbiss
Kunstbüro Hohmann und Heid
Berlin
22.01.–15.02.2021
Special thanks to: Kunstbüro Hohmann und Heid, Clara Jing Hohmann & Marla Heid
Support: Adrian Pfisterer, Niklas Thran, Sascha Windisch
Press: »Berliner Kunst in Coronazeiten: Für Eis zu kalt, nicht für Kunst«, taz, 22.01.2021